My work develops through observation, memory, and the accumulation of time. Across drawing, painting, layered paper, and found materials, I explore how places and experiences are continuously shaped through change, attention, and impermanence.

Earlier works emerged from childhood memories and imagined presences connected to specific places. Over time, these concerns gradually shifted toward direct field observation and the layering of lived urban environments. After 2020, color began to recede from the work, and line became increasingly central as a way of tracing what remains, disappears, or cannot be fully held.

In my ongoing series Traces of the City, I spend extended periods observing specific city blocks, collecting fragments, recording details, and revisiting sites over time. Through layered drawing, sewing, and paintings of found objects collected from each location, the works accumulate multiple moments of looking rather than depicting a single fixed image.

Across the work, I am interested in impermanence: how memory shifts, how places change, and how perception itself remains unstable and incomplete.